According to Taitreya Upanishad the origin of language is assigned to Prajapati, from whose meditation on the three words arose the three Vedas and from his meditation arose the three syllables, bhoor, bhuva and suah, which represent earth, atmosphere and sky. From his meditation on these three originated the divine syllable of OM, which coordinated all speech and represented the totality of the world. The syllable OM also represents the trimurti (triad) of Brahma, Vishnu and Shiva.
Shiva’s drum produced this sound and through it came the notes of the octave, i.e., Sa, Ri, Ga, Ma, Pa, Dha, Ni. Thus by this sound Shiv creates and recreates the universe. OM is also the sound form of Atman.
The Upanishads state that everything, existent and nonexistent, can be grasped by uttering the sacred syllable of OM. The psycho-therapic efficacy of OM is deemed limitless and its utterance redeems all errors in the performance of a sacrifice. Meditation on OM satisfies every need and ultimately leads to liberation. Nearly all the prayers and recitals of sacred passages are prefixed by the utterance of OM. Its equivalent is Omkar, venerated in the same manner and is thought to be the representation of God Himself.
Musically it is also held that the term OM or AUM is made up by three base notes ‘A’ ‘U’ ‘M’ or the basic ‘Sa’ ‘Pa’ of the fundamental scale and again Sa (the base note) of the immediately higher scale. When one pronounces these notes in continuity, all the basic notes from SA to Ni also sound. Similarly when one pronounces AUM correctly, all the basic sounds also echo. It is believed to be the traditional way of clearing all the impediments in the vocal chord to make one chant the hymns correctly. Their unison makes one not only sound sonorous but also acts as the necessary preparation to chant a Mantra (Incantation) correctly. It is for this reason that all Vedic Mantras have ‘OM’ or ‘AUM’ as the first term.